marina and the diamonds froot

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Page 1 of 1 Start over Page 1 of 1. Diamandis had confirmed that six songs will be released before the album’s release, one each month up until 6 Aprilcalling this strategy the “Froot of the Month”.

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Even when Marina goes completely off-piste on the lyrical themes she manages to slide her way in between the trees. This is Marina’s more-mature and more subtle third album.

Retrieved 20 March Froot has been promoted through a series of festival performances during the spring and summer; Diamandis toured internationally with the accompanying Neon Nature Tourwith performances scheduled in North America, Europe and South America between October and March The record debuted at number 10 on the UK Albums Chart with first-week sales of 10, copies. Froot is a pop [8] [9] album with elements of electronic[10] indie pop [11] and rock and indie rock music.

The album’s title track, ” Froot “, premiered on Diamandis’s birthday, 10 October[24] [25] and was released digitally on 11 November Retrieved 27 March — via Twitter. Froot was penned in its entirety by Diamandis herself, and she was much more selective when it came to outside help. Vinyl, April 14, “Please retry”.


Froot was moderately successful across Europe, reaching number four in Ireland, number 10 in Switzerland, number 19 in Finland and number 24 in Germany.

Archived from the original on 3 December Written entirely by Diamandis, she collaborated with David Kosten for production. Retrieved 26 March Musicians Marina Diamandis — keyboards, lead vocals, backing vocals David Kosten — keyboards, percussion, programming Jason Cooper — drums tracks 1—5, 7—12 Jeremy Pritchard — bass tracks 1, 3, 4, 9 James Ahwai — bass tracks 2, 5, 7, 8, 10, 12 Chris McGrath — bass track 11 Fyfe Dangerfield — piano track 1 ; guitar track 9 Keith Bayley — guitar tracks 5, 10, 12 Alexander Robertshaw — guitar tracks 1—9, 11 Wez Clarke — additional programming.

That character’s very public death could also have signalled the end of Diamandis’s career, such was the suddenness of how she’d retreated from the spotlight.

White Denim – Side Effects. Underneath it all, we’re just savages. Lukeand I found after that was writing in a much more free way, whereas when I was writing on my own with a piano I was really just stuck to it and I became quite limited, like I’d reached a certain point.

Through the record we were introduced to Marina’s unpredictable wailing vocal style, awkward rhythmic twists and cartoonish lyrics.


Diamandis gave several large profile performances during earlysuch as a performance at the Governor’s Ball in New York City between the 5 and 7 June.

Marina and the Diamonds – FROOT | Album Reviews | The

There are a couple of tracks that don’t do much for me, but overall it is good to hear thematic and personal growth from Marina. She felt that her confidence as a songwriter had improved by listening to her instincts and believing in her own abilities.

The whole album is exceptional but if you This contrast actually sets up the ad themes quite well as the record is, in essence, about a break up and all the confusing stages of emotions that come with it. Buy the selected items together This item: About Maruna Advertise Contact. I’m actually proud to say that I turned my boyfriend into a fan by playing “I’m a Ruin” and “Immortal” off of this album. By placing your order, you agree to our Terms of Use.

The Family Jewels Vinyl.

Retrieved 27 April Marina and The Diamonds: From Wikipedia, the free encyclopedia. Chorus so big you could see it from space? For example ‘Savages’ rips into something resembling a post-enlightenment critique of the tension between civilizations and human instinct.